“Mir ist so wunderbar”: Considering Opera Traditions Interaction in “Fidelio” by Beethoven (Modern Musicologists on the Quartet’s Genesis)

the tragedy of modern man in arthur millers world

what miller wants is a theatre of heightened consciousness. he speaks of two passions in a man, the passion to "feel" and the passion "know". he belives that we can have more of the latter. he says: drama is akin to the other inventions of man in that it ought to help us know more and not merely to spend our feelings. the writing of the crucible shows us that he is trying to give more heightene...

Traditions of the Modern : A Corrupt View

At this fin-de-siècle, the “post” that was meant to mark off the modern, or perhaps to qualify it, has turned out to be a looking-glass of sorts, reviving engagements with the question of modernity. However, lurking in the shadows of this discourse is the “constitutive outside” that makes possible such narratives: tradition. In this article, I explore the question of modernity through the trope...

Traditions in Modern Korean Women’s Fiction Writing

Interaction in Digitally Augmented Opera

— This paper reviews an experimental opera production, where digitally augmented content was used interactively during the performance. Projected graphics and spatialized sounds were designed to support the story. The animated 3D graphics acted as virtual stage, narrative element, or reflection of thoughts of a character. The special effects were partly un...

On the genesis of Post constraint in modern electromagnetism

The genesis of the Post constraint is premised on two attributes of modern electromagnetism: (i) its microscopic nature, and (ii) the status of ẽ (x, t) and b̃ (x, t) as the primitive electromagnetic fields. This constraint can therefore not arise in EH–electromagnetism, wherein the primitive electromagnetic fields are the macroscopic fields Ẽ (x, t) and H̃ (x, t). Available experimental evidence...